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Judith Schaechter NY exhibition

 
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crwyard



Joined: 01 Jan 1970
Posts: 133

PostPosted: Fri May 24, 2013 8:05 pm    Post subject: Judith Schaechter NY exhibition Reply with quote

Judith Schaechter: Battle of Carnival and Lent
May 23-June 29


The Battle of Carnival and Lent, Judith Schaechter's new exhibition at Claire Oliver Gallery, tackles one of the most fundamental struggles known to man, the war humankind wages between good and evil. Dancing on the psychological border between spiritual aspiration and human suffering, the Artist questions the association of an environment of confinement/reflection in the name of self betterment and the harsh realities of the physical experience of imprisonment; She is speaking about the 'prisons' we all encounter, be they mental or physical.

Schaechter's title window in the exhibition (and the largest in scale), inspired by the 16th century Brugel painting with the similar name "The Fight Between Carnival and Lent", contains 96 figures (almost all previous Schaechter works contain only a single figure)
locked in a mythic battle between virtue and vice. Depicted here by somber monks and garish clowns, hilarity and mayhem seduce impulse control; no blood is spilled in the Artist's rendition; here, softened by humor, we see the constant battle we face between our will, our desires, and our choices.

Inspired by the history of Philadelphia's notorious gothic castle-like structure, Eastern State Penitentiary, where they were on temporary exhibition, these 17 works draw on mythology, the Bible, and even famous works of art from ages past. Schaechter's archetypes struggle with an angel on one shoulder and a devil on the other, exploring in turn the stories of Atlas, Prometheus, Noah, Icarus, Mary Magdalene and Andromeda.

Along with the figurative/narrative windows, there are a matching number of purely decorative patterned works which Schaechter calls "militant ornamentalist", a nod to the great strength of 13th century European cathedrals, such as Chartres. Although ornamentation suffered in popularity during the Modernist period of art history, its power to move people has not been diminished. One has only to look to the great traditions of Islamic or Asian art to see the hypnotic and spiritual relevance ornamentation has.

For more information on the Gallery and upcoming events please contact:

Claire Oliver Gallery
513 West 26th Street
New York, NY 10001
(212) 929-5949
Info@ClaireOliver.com
www.ClaireOliver.com
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