With its interdisciplinary approach, The Journal of Stained Glass covers all aspects and periods of stained glass, making it an invaluable resource for historians, students and anyone with an interest in the medium, as well as for designers, craftworkers and conservators. Featuring wide-ranging articles by recognised experts in the field, each issue includes a provocative guest editorial and sections on: the History of stained glass; Research & Methodology; Contemporary Practice; and Technical Inquiry; along with a New Work Portfolio, reports on recent prizes and awards, exhibitions and obituaries, and a comprehensive book review section. The Journal of Stained Glass is the only English-language publication to cover all of these subjects in depth.

The scope is strongly international, with articles on stained glass in the Ukraine, Iceland, Australia, Canada, Poland, Ireland, Australia and the United States, as well as from the United Kingdom! Themed issues include: The Glass House Special Issue; Burne-Jones Special Issue; America Issue; Scotland Issue, and The Stained Glass Collection of Sir John Soane’s Museum.

Each volume includes a minimum of 200 pages with well over 100 colour illustrations.

Sandra Coley Hon FMGP is Editor, for enquiries about submissions contact journaled@bsmgp.org.uk

2017

Vol. XLI (2017) The Glass House Special Issue

ISBN 13 978 0 9568762 7 0 304 pages, 125 illustrations, many large scale

A much-expanded Special Issue devoted to the Glass House, the remarkable enterprise by Mary Lowndes and Alfred Drury just over a hundred years ago that led to a golden age of opportunity in British stained glass. Wilhelmina Geddes, Hugh Arnold, Moira Forsyth, Alan Younger, Theodora Salusbury, Christopher Whall, Margaret Chilton, Henry Holiday, John Hayward, Martin Travers, Mabel Esplin, Herbert Hendrie, Joan Fulleylove, Joseph Eddie Nuttgens, Keith New, Baron Arild Rosenkrantz, Caroline Townshend, Joan Howson, Robert Anning Bell, Margaret E. Aldrich Rope and Margaret Agnes Rope: just some of the artists who had studios in the Glass House or had their work made there. It is no accident that so many of these names belong to women stained glass artists, and in this year of the centenary of Women’s Suffrage, it is good to reflect that Mary Lowndes’ initiative also led to the emancipation of women in the work place, one we’re all very fond of at the BSMGP: the stained glass studio. These artists' windows throughout the UK and as far afield as Khartoum and Adelaide are testament to the importance of the Glass House in stained glass history.

BSMGP member and author Alan Brooks carefully transcribed the business records of the Lowndes & Drury Archive, now held in the Archive of Art and Design in the Victoria and Albert Museum. Working with our Hon. Fellow Peter Cormack MBE, the issue now includes 3500 records and their evaluation, along with biographies of each of the 160 artists involved. Cormack’s guest editorial explores ‘The Glass House: a Great Feminist Enterprise’.

£28 Table of contents Buy now
2016

Vol. XL (2016)

ISBN 978 0 9568762 6 3 192 pages, 165 illustrations, many large scale

Guest editorial on sketching stained glass and what it can teach us. Features a detailed study of D’Ascenzo Studios, whose stained glass was popular in the US in the early 20th century, as well as the first thorough account of the evolution of Ukrainian stained glass to the present day. Records from the Kempe Studios are investigated for their research potential; and Technical Inquiry is devoted to an innovative conservation programme for important 14th-century glazing at Exeter Cathedral. Contemporary stained glass includes the collaborative Swansea Glass Beacon project, Glaziers awards and prizewinners, and an extensive New Work Portfolio. Plus a report on Tiffany at auction, 12 book reviews and obituaries for Roy Coomber FMGP, Kathy Shaw-Urlich AMGP, Crear MacCartney and Peter Gibson OBE.

£20 Table of contents Buy now
2015

Vol. XXXIX (2015)

ISBN 978 0 9568762 5 6 192 pages, 165 illustrations, many large scale

Guest Editorial by Dr Simon Bradley on stained glass in Pevsner’s Buildings of England series. In-depth studies of Henry Holiday’s important scheme for a New York hospital and work by H. J. Burrow and George Parlby for Powells & Sons, as well as biographical data on the Burrow family. Contemporary practice covers the rewards of creating glass and mosaic in children’s schools, the powerful work of Israeli artist Ardyn Halter, New Work Portfolio by Members & Associates, and annual prizes in the UK. Also features the origins of transfer printing on glass with its use of stained glass imagery and the challenges of its restoration. Concludes with a review of Australian exhibition on the stained glass of William Bustard, 9 book reviews and 3 obituaries.

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2014

Vol. XXXVIII (2014)

ISBN 978 0 9568762 4 9 192 pages, over 190 illustrations, many large scale

Celebrating its 90th year of publication, this issue also commemorates the WW1 Centenary with a cover article by Peter Cormack on stained glass artist Hugh Arnold (1872-1915), whose distinguished career was cut short at Gallipolli. Historical articles cover the extensive Yorkshire legacy of Belgian artist Jean-Baptiste Capronnier (1814-1891) and the expressive impact of early 20th-century German stained glass in Pittsburgh. The powerful stained glass of Holocaust survivor Roman Halter is traced, as well as an enticing road trip through France highlighting the variety of techniques and imagery adopted by contemporary glass artists. A rich portfolio of new work by Fellows and Associates this year is complemented by an Olympic commission for Coventry exploring the journey of Lady Godiva and by a well-illustrated analysis of the techniques and history of acid-etching. An insightful guest editorial on stained glass education from Rachel Phillips, tutor at Swansea College of Art, University of Wales Trinity St David exhorts every reader to take up the challenge in these difficult times of furthering all aspects of stained glass!

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2013

Vol. XXXVII (2013)

ISBN 978 0 9568762 3 2 192 pages, 150 colour illustrations, many large scale

This strongly international issue begins with a guest editorial on the complex ethics of stained glass conservation focusing on the state of practice in Spain, along with two articles on American stained glass firms: the Victorian partnership of John and George H. Gibson in Philadelphia, and Charles J. Connick’s modern and Art Deco commissions produced from his Boston studio. Important work by British artist Henry Holiday for Philadelphia patrons is examined along with Arts & Crafts stained glass by Christopher Whall in Middleton Church, Lancashire. Technical Inquiry publishes the issues involved in conserving rare Catalan cloisonné stained glass and the concluding article on the conservation of glass in the Royal Apartments of Stirling Castle in Scotland. Plus a comprehensive study of the variety of marks used by the famous Kempe studio, and an outline of the work and collections of the London Stained Glass Repository. A Portfolio of New Work, and recent prizes and awards and seventeen book reviews round off the issue.

Out of print Table of contents
2012

Vol. XXXVI (2012)

ISBN 978 0 9568762 2 5 224 pages, 175 colour illustrations, many large scale

From A. W. N. Pugin’s first painted glass to John Piper in Wales, from mid-18th century armorials to the Diamond Jubilee window at the Queen’s Chapel of the Savoy: this is a richly illustrated issue covering new glass devoted to the 2012 Olympic games, the careers of John Beare and William Price the younger; early American windows for Trinity, Wall Street, New York; the work of J. W. Brown for Powell & Sons with a comprehensive list of international windows; recent prizes and awards for stained glass, new heraldic glass for Stirling Castle and much more. Includes a guest editorial by Douglas Hogg FMGP, 18 book reviews and an obituary for Keith New FMGP.

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2011

Vol. XXXV (2011)

ISBN 978 0 9568762 1 8 335 pages, 150 illustrations, many in colour

A Special Issue of The Journal of Stained Glass devoted to the stained glass career of the most influential post-medieval designer working in the medium, Sir Edward Coley Burne-Jones Bt. (1833-1898), including:

Groundbreaking research by an impressive line-up of experts, with an insightful guest editorial by his biographer Fiona MacCarthy; the first ever full transcript of Burne-Jones’s Account Books with Morris & Co. by Dr Douglas Schoenherr, along with a comprehensive Checklist of all Edward Burne-Jones’s designs for Morris & Co. (including designs known to have been created but not entered in the accounts); John Christian on Burne-Jones’s roles as both designer and painter; Albert Tannler on the complex influence of Burne-Jones and Morris in the USA; Brian Clarke with a contemporary artist’s reaction to Burne-Jones’s stained glass; Martin Harrison on Burne-Jones’s stained glass in transition, as shown by the Lyndhurst ‘New Jerusalem’ window; and Tony Benyon’s important new biographical research on the stained glass workers employed by Morris & Company. Plus, a hitherto unknown photograph of the young Burne-Jones and a specially-written new poem about the artist…

Also, new commissions in the UK and a powerful scheme by Judith Schaechter installed in a former prison in Philadelphia; conservation at Stirling Castle; obituaries for the Duke of Grafton, Lawrence Lee, Harry Harvey and Adelle Corrin; extensive book reviews and more.

Was £28 Now £20 Table of contents Buy now
2010

Vol. XXXIV (2010)

ISBN 978 0 9568762 0 1 256 pages, almost 200 illustrations, most in colour, many large scale

With a wealth of material on 19th- & 20th-century stained glass, featuring the latest research on Horace Walpole’s Continental and English glass collections at Strawberry Hill with a detailed account of their restoration; fascinating documentary history on Sir Ninian Comper and Charles Eamer Kempe, and the shadowy story of F. Sydney Eden. Plus a full catalogue of Christopher Whall’s recently restored windows at Holy Trinity Church, Sloane Street and information on collections in the USA (Lamb Studios) and Hungary (Miksa Róth). The meteoric career of artist Brian Clarke is illustrated in two articles, one a review of his recent exhibition. Plus 12 book reviews, 8 obituaries and much more.

Was £20 Now £12 Table of contents
2009

Vol. XXXIII (2009)

ISBN 978 0 9540457 8 4 224 pages, 285 illustrations, most in colour, many large scale

The issue begins with an intriguing guest editorial on the spiritual side of medieval stained glass by scholar/artist Richard Lannoy. Fully illustrated accounts of the stained glass collection of the Walker Art Gallery in Liverpool and of little-known but important Continental stained glass at the Royal Clarence Hotel in Exeter. Insights into London glass-painters between 1660 and 1710 and the revival of Gothic glasspainting in the work of Joseph Hale Miller. Stained glass in the Australian studio of Donald Taunton for John Hardman & Co. is examined along with a study of studio life in early 20th-century America with artist Wilbur Herbert Burnham Sr. Author Dennis Hadley adds a postscript to his previously-published work on William Glasby. Contemporary Practice features new commissions by Mel Howse for Sainsbury’s, Ruth Taylor Jacobson for the Schonfeld Square Synagogue and Helen Whittaker for the RAF Club in London. New work by BSMGP Fellows and Associates and annual Glaziers prizes and awards round out the section, while Technical Inquiry explores how a 110-year Brangwyn & Tiffany design was newly created. Plus 18 book reviews and highlights of stained glass at auction, an appreciation for Lawrence Lee FMGP on his hundredth birthday and an obituary for Kerry Ayre.

Was £20 Now £12 Table of contents